#Only the strong song how to#

One of the best examples of this is the second track, вЂњHeld Down.вЂќ In just a few minutes, Marling conveys the tangled emotions she feels after a romantic partner suddenly leaves. MarlingвЂ™s primary lyrical strength on вЂњSongs for Our DaughterвЂќ is her ability to weave complex stories into three-minute songs. With this album, Marling uses her stellar songwriting to create a captivating set of stories sung over full-bodied instrumentation and elegant harmonies.

In вЂњSong for Our Daughter,вЂќ Marling reflects on her younger days as a woman and frames these stories as cautionary tales told to an imagined daughter. However, Marling brings an interesting perspective as a woman in a genre historically dominated by men. In that sense she resembles Bill Callahan, a fellow folk artist who sounds as fresh and creative as the giants of the genre. While none of the sounds on the album are particularly experimental, Marling has perfected her own style of folk music - a collection of compelling stories sung over haunting melodies. On her most recent album, вЂњSong for Our Daughter,вЂќ she tends toward the style of folk musicians that came before her, particularly that of Joni Mitchell. Faced with a barrage of mediocre music, modern folk singer-songwriters have been forced to innovate in an attempt to stand out.Д«ritish musician Laura Marling is one of the more exciting folk artists of the last decade.

#Only the strong song how to#

In recent years, however, artists like Ed Sheeran have figured out how to soullessly manufacture the singer-songwriter formula by repeating the same tired sound again and again. While the sounds they played were by definition based on earlier American musical styles, these artists sounded novel and each presented a unique brand of folk. Artists like Bob Dylan, Woody Guthrie, Joni Mitchell and Paul Simon cultivated the sound that became associated with folk singer-songwriters in the middle of the 20th century.

In a genre as old as folk, it can be hard for anything to stand out against the large body of work comprising the genreвЂ™s canon. Review: Laura Marling's 'Song for Our Daughter' boasts compelling storytelling, dynamic instrumentation